DAVID COPPERFIELD is the starting point for this audiobook, but it's not a template. Narrator Charlie Thurston's fine regional accent takes listeners to southwest Virginia, a place that dives deep into the truths of rural poverty. Damon Fields tells his own story, as in the Dickens novel, but he faces difficulties beyond what the English author imagined. One such challenge is the transformation of his name, which occurs because of his bright red hair. Nearly everyone in this story is from Lee County, so accents don't vary much. But Thurston manages to suggest all the major characters with subtle shifts of timbre, and he keeps Damon's sad narrative from sounding like whining. The novel is depressing yet gripping, and its conclusion, at least, is hopeful.
Pub Date: Oct. 18, 2022
Duration: 21 hrs
DD ISBN: 9780063252004
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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