Greta Jung narrates a collection of surreal fable-like stories translated from the original Korean. They hold a warped mirror up to contemporary life. From the first story, a bizarre and dark tone is set as a young woman is confronted and haunted by a horrific animated head that rises into her toilet from the sewers. None of the stories are similar, and Jung maintains the sense of strangeness as each examines the stomach-turning evils besetting contemporary life. Character voices are lively and dynamic, but occasionally Jung slips into an affectless narration when trying to capture the wry, witty authorial voice. The collection is unsettling but is written and narrated in an oddly engrossing way that makes it difficult to hit pause.
Pub Date: Dec. 6, 2022
Duration: 7 hrs
DD ISBN: 9781649041449
Publisher: N/A
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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