Carlos Ruiz Zafón has written a masterful novel of hope, mystery, and love, made more superb on audio. Originally written in Spanish, the story begins when young Daniel no longer remembers his mother’s face, and his father takes him to the Cemetery of Forgotten Books. There he finds THE SHADOW OF THE WIND, a novel by Julian Carax. Enchanted by the book, Daniel embarks on a search for other works by Carax, and eventually for Carax himself. During his quest, Daniel becomes enveloped in murder, intrigue, and love. Jonathan Davis’s reading is brilliant, and the book is a certain Audie Award nominee. Davis uses a light, but effective, Spanish accent, offering the listener a remarkable sense of authenticity. Davis imbues Daniel with a mix of reverence and innocence that shines through every word. The audiobook also contains periodic musical accompaniment, composed by Zafón, that works surprisingly well. THE SHADOW OF THE WIND has been translated into 20 languages; with its translation into English, American readers can share the beauty of what is destined to be a literary classic.
Pub Date: Jan. 22, 2004
Duration: 18 hrs
Publisher: Penguin Audiobooks
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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