by Charles Frazier ; Read by Will Patton ‧ RELEASE DATE: April 11, 2023
Will Patton uses a gentle Southern accent to embody Val Welch, and he maintains that soft approach even through some fairly graphic violence. The story involves many questions about what is actually going on with the rest of the characters. Val is in Wyoming to paint a WPA mural in a post office. He falls into a maelstrom created by a wealthy rancher; his wife, a former hobo; and assorted secondary characters. Everyone is willing to do whatever is necessary to achieve their opposing goals. Patton suggests the different voices but clearly evokes the characters behind the words.
Pub Date: April 11, 2023
Duration: 9 hrs, 30 mins
DD ISBN: 9780062948113
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
by Michael Chabon ; Read by David Colacci ‧ RELEASE DATE: N/A
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
by E.F. Benson ; Read by Geraldine McEwen ‧ RELEASE DATE: N/A
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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