Grace Blewer, the author's daughter, gives a heartfelt portrayal of Vermont teenager Emily Shepard. The local nuclear plant has had a meltdown, and Emily's father, an alcoholic who worked there, may have been responsible. With both of her parents dead, Emily takes off on her own, finding herself in a dystopian world. Blewer captures all of Emily's complexity--her emotional troubles, her ferocious determination to protect a homeless boy she stumbles across, and her longing for her beloved dog. While on the run, Emily creates a new identity--inspired by her favorite poet, Emily Dickinson. There's no doubt that listeners will know this book shines in the audio format when they hear Blewer singing a Dickinson poem to a popular tune.
Pub Date: July 8, 2014
Duration: 8 hrs, 15 mins
DD ISBN: 9780307917461
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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