This captivating story of America's "simultaneously conspicuous and invisible" population is powerfully rendered by an ensemble of narrators representing voices from all over Latin America. Like families before them, the Riveras immigrate to the U.S. in search of a better life for their daughter, Maribel. Though Maribel is the catalyst, it is Alma, her mother, and Mayor, her friend, who lure listeners in during alternating chapters. Their voices shift with emotion as the narrators deftly use pitch and pacing to maintain an intimate atmosphere amid the shifting perspectives. Periodically, new voices and new accents claim a chapter to share their own immigrant experiences. Each is captured with sensitivity, lending an immediacy to the story and providing a larger context to the Riveras's experience.
Pub Date: June 3, 2014
Duration: 9 hrs, 15 mins
DD ISBN: 9780804191432
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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