Kristen Sieh narrates the story of a contemporary relationship set just before and during the Covid pandemic. Sally Milz is a writer on "The Night Owls," a late-night comedy show. When another average-looking man on the show becomes involved with a gorgeous woman, Sally knows the inverse would never happen, so she's shocked when host Noah Brewster appears interested in her. Sieh captures Sally's snarky tone and sharp wit, showing why she is a success in her career. Sieh also acknowledges the loneliness Sally experiences in her personal life. Noah sounds charming and pleasant, and while Sieh portrays his decency, she also allows his frustration and doubt to show through. Both characters are complex, and Sieh depicts them as flawed human beings who are struggling to connect.
Pub Date: April 25, 2023
Duration: 9 hrs
DD ISBN: 9780525527862
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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