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TWENTY AFTER MIDNIGHT

Three narrators chronicle the lives of four friends in Brazil. In the 90s, Emiliano, Antero, Andrei, and Aurora founded an e-zine that defined their fairly successful careers. But when it folded, their friendship also ended. When Andrei is murdered more than a decade later, the remaining three are forced to confront one another. Alternating between several points of view, the narrators capably keep the novel's plot threads under control. De Ocampo is commendable in delivering sensitive and provocative scenes. Corzo's narration evokes intrigue, and Barillas's buoyant voice complements the other narrators' deliveries. Those looking for a poignant, thought-provoking audiobook should listen.

Pub Date: Aug. 11, 2020

Duration: 6 hrs, 30 mins

DD ISBN: 9780593214190

Publisher: Penguin Audio

Review Posted Online: Jan. 22, 2026

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    WONDER BOYS

    American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.

    Pub Date: N/A

    Duration: N/A

    Publisher: Brilliance Audio

    Review Posted Online: Jan. 22, 2026

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      QUEEN LUCIA

      Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.

      Pub Date: N/A

      Duration: 9 hrs

      Publisher: ISIS Audio Books

      Review Posted Online: Jan. 22, 2026

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