Seven talented narrators bring the complex protagonists of Evans's short fiction to life. The stories are a dazzling blend of the personal and the universal, a collection of masterfully crafted moments exploring history, guilt, Blackness, womanhood, American racism, and trauma. Janina Edwards gives an emotional performance of the titular novella about a historian unraveling a mystery steeped in racism. There's a whisper of playfulness in Nicole Lewis's narration of "Richard of York Gave Battle in Vain," about a woman's reckoning with loss on the eve of a friend's wedding. In "Anything Could Disappear," Adenrele Ojo captures all the uncertainty of a young woman who unexpectedly becomes a mother. Evans's writing is confident and spare, and each narrator amplifies the power of the prose in her own particular way.
Pub Date: Nov. 10, 2020
Duration: 7 hrs, 15 mins
DD ISBN: 9780593294703
Publisher: Penguin Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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