Andre Bellido skillfully narrates this story of writers, generational trauma, and magical realism. Aureliano Más returns to Mexico City at the behest of his aunt. She has secured him a writing fellowship she hopes will give him direction and help him stop drinking. But Aureliano's alcoholism, rooted in his mother's haunting disappearance and his best friend's suicide, has a firm grip, and he grapples with grief. Passages about his mother and aunt's pasts shed light on the world of drugs. Bellido has a neutral, clear voice that allows listeners to lose themselves in the story. His narration of moving passages in a tightly controlled tone reflects the character's attempt at numbness. Bellido deftly portrays females with a slight vocal change.
Pub Date: June 11, 2024
Duration: 8 hrs, 30 mins
DD ISBN: 9781696613699
Publisher: HighBridge Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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