by Eliana Ramage ; Read by Nathalie Standingcloud , Kamali Minter & Tanis Parenteau ‧ RELEASE DATE: Sept. 2, 2025
The performances of Nathalie Standingcloud, Kamali Minter, and Tanis Parenteau enhance the diverse perspectives of the Cherokee women in this compelling audiobook, which spans more than 30 years. Steph Harper, thoughtfully portrayed by Standingcloud, has a single driving passion: to become a NASA astronaut. Her goal permeates her emotionally complex relationships with her mother and sister, Kayla. Though Steph's perspective is the central focus of this novel, Minter, as Della Owen, adds thought-provoking layers relating to her intersectional identity. Della, adopted as a child by a white couple in Utah, shows vulnerability as she grapples with her Native heritage, Mormon faith, and lesbian orientation. Parenteau delivers Kayla's influencer posts with precision and family correspondence with genuine feeling, revealing additional facets of these relationships.
Pub Date: Sept. 2, 2025
Duration: 14 hrs, 45 mins
DD ISBN: 9781668144169
Publisher: Simon & Schuster Audio
Review Posted Online: Jan. 22, 2026
by Michael Chabon ; Read by David Colacci ‧ RELEASE DATE: N/A
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
by E.F. Benson ; Read by Geraldine McEwen ‧ RELEASE DATE: N/A
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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