Narrator Stina Nielsen portrays Bernadette, a copy editor at a New York publisher in the 1960s. After joining a feminist book club, she pursues a much-deserved promotion and advocates for equal rights. She finds two unexpected allies at her job who bolster her influence. Nielsen's clear voice delivers the narration at a steady pace that aligns with Bernadette's calm demeanor and inner strength. In moments depicting workplace sexism, Nielsen's performance adjusts to reflect changes in Bernadette's emotional state. Narrator P.J. Ochlan gives an upbeat tone to Frank, Bernadette's dog. Frank's perspective is delivered with the purported enthusiasm of a dog's thoughts. The two narrators provide a detailed portrayal of the period in a unique and entertaining way.
Pub Date: June 10, 2025
Duration: 10 hrs, 30 mins
DD ISBN: 9798331959104
Publisher: Tantor Media
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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