Gwyneth Keyworth's nuanced portrayal of Manod reveals the 18-year-old's transformative journey in this haunting story, set in 1938. Keyworth smoothly transports listeners to an isolated Welsh island and evokes the poignant interactions between Manod, a local, and the English couple, both ethnologists, who arrive to study the villagers' traditional ways. Dyfrig Morris, Gabrielle Glaister, Jot Davies, and Nick Griffiths add to the novel's ambiance with evocative renditions of folklore and historical narratives. Well-crafted sound effects, such as the crackling and echoes of an old recording machine, add a compelling layer of period authenticity. This atmospheric audiobook amplifies the novel's exploration of profound cultural differences within ostensibly similar societies.
Pub Date: May 7, 2024
Duration: 3 hrs, 45 mins
DD ISBN: 9780593829981
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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