Kimberly Farr, who performed Elizabeth Strout's previous Olive Kitteridge novel to fine effect, does it again in this newest examination of Crosby, Maine's, odd and marvelous inhabitants, starting with Olive herself. Awkward, brusque Olive has a beau of sorts, a fellow with a large stomach and large issues. Despite the issues, he makes her feel loved. For more than that, you must listen. We also meet teenagers, pensioners, Olive's son and daughter-in-law, church ladies, law-breakers, shopkeepers, and other fascinating everyday folks. Farr has the plain accents and often abrupt speech down pat. She hints at personality without overplaying, and reads the stories with sympathy. They are full of tragedy and joy and life's flotsam and jetsam. Prepare to savor every word.
Pub Date: Oct. 15, 2019
Duration: 12 hrs, 15 mins
DD ISBN: 9780593147351
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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