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THIS IS SHAKESPEARE

Oxford professor Emma Smith is not only an esteemed Shakespeare scholar, she is also a skilled communicator whose long experience as a podcaster comes through in her excellent narration of her own work. The audiobook's declarative title is ironic: Smith does not set out to tell audiences how to interpret the Bard. Rather, in chapters devoted to individual plays, she explores the ambiguity (what she calls "gappiness") that is integral to Shakespeare's work. It's about questions, not answers. Why is his King Lear so much more bleak than its source material? Did Lady Macbeth really manipulate her husband to commit murder? Smith's narrative style is academic but engaging, and there's little jargon here, as her audience is primarily theatergoers, not scholars.

Pub Date: March 31, 2020

Duration: 10 hrs

DD ISBN: 9780593170212

Publisher: Penguin Audio

Review Posted Online: Jan. 22, 2026

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    100 THINGS WE'VE LOST TO THE INTERNET

    Narrator Lisa Flanagan has a wonderful vocal personality--lithe with a broad palette of pitch patterns and a range of believable emotional tones. Her friendly voice works well with this lighthearted overview of how dramatically the Internet has changed the world in the past 30 years. Though being digitally connected has improved life in many ways, the author says we've lost many of the interpersonal experiences that used to sustain us. We have less privacy, don't need all those reference books, and have largely forgotten how to have vocal conversations with other people. The audiobook is entertaining nostalgia for anyone who feels incompetent navigating the World Wide Web, and a soothing reminder that those of us who miss the simplicity of the pre-Internet era are not alone.

    Pub Date: Oct. 26, 2021

    Duration: 5 hrs, 30 mins

    DD ISBN: 9780593418055

    Publisher: Random House Audio

    Review Posted Online: Jan. 22, 2026

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      150 GLIMPSES OF THE BEATLES

      Craig Brown tickled our ear with 99 GLIMPSES OF PRINCESS MARGARET, a brisk, irreverent assembly of tiny chapters that ran a satisfactory 12+ hours. For the Beatles, he adds 51 more glimpses and another eight hours, with a proportionally diluted effect. Brown himself, Kate Robbins, and Mark McGann share the narration, which is interesting, insightful, well performed, and packed with some new and a lot of old information. All of it is shaped by Brown's propensity for "easing sense into nonsense." The self-mocking Beatles are harder to deflate than a pretentious princess, but Brown's accounts of touring Beatles sites in Liverpool and his histories of Beatles contemporaries swept up--and aside--by their spectacular rise will amaze and beguile listeners.

      Pub Date: Oct. 13, 2020

      Duration: 20 hrs, 30 mins

      DD ISBN: 9781250770127

      Publisher: Macmillan Audio

      Review Posted Online: Jan. 22, 2026

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