Krystal Roche's youthful voice melds childhood memories with adult reflection, propelling this novel into the realm of poetic memoir. It is October 2001, and the unnamed protagonist of the story is traveling back to Haiti for a visit after living in the U.S. Roche's Haitian cadence adds a dreaminess to all the details. Bright airport windows, cups of roasted coffee, a bell-sleeved blouse--all lyrically counterbalance the worry of travel post-9/11. Roche's thoughtful pace weaves the words together, rendering chapter demarcations irrelevant. In Roche's voice, the narrative becomes poetry, highlighting Prophete's talent in this genre. The listener comes to understand the term "blue" on several levels--it is the color of the Caribbean sea and sky but also a mood of solitude and wistfulness for a Haitian childhood.
Pub Date: 2022
Duration: 3 hrs, 30 mins
DD ISBN: 9781713631736
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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