Christina Delaine and author Idra Novey deliver this character-driven novel set in Northern Appalachia. Novey narrates the perspective of Leah, a woman who is returning to her hometown in rural Pennsylvania to claim the art her stepmother, Jean, left her in her will. Novey's performance embodies Leah's introspective nature as she tries to make sense of her childhood by working through her memories of Jean. In alternating chapters, Delaine portrays Jean, giving listeners a glimpse of the stepmother's life before she died. With her rich voice and excellent cadence, Delaine's narration illuminates Jean's complex character. Both Novey and Delaine pay close attention to dialect, using accents true to both the Northern Appalachian region and each of the characters they portray.
Pub Date: March 14, 2023
Duration: 5 hrs, 45 mins
DD ISBN: 9780593670705
Publisher: Penguin Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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