Narrators Edoardo Ballerini and Maria Liatis couldn't be better in Isabel Allende's intricate, heartrending novel. From 1938 Europe to 2019 America, numerous upended lives are woven into a fascinating tapestry. Samuel Adler must leave Nazi Germany via the Kindertransport; Leticia Cordero narrowly escapes the El Mozote massacre in El Salvador; because of the Trump government's heartless immigration policy, 7-year-old partially blind Anita is left alone in a detention center after her mother is deported. Ballerini is simply outstanding. Every voice he delivers is believable; every emotion feels authentic. As Anita, Liatis sounds like a child--displaced, afraid, and dependent on a determined social worker and a sympathetic lawyer. Allende's poignant storytelling and sharp criticism of unfeeling bureaucracies are made even better by two remarkable performances.
Pub Date: June 6, 2023
Duration: 8 hrs
DD ISBN: 9780593739990
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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