This is the beautiful story, painful in many places, of Cato and William, two enslaved men who meet in unimaginable conditions with the promise of freedom on the horizon. A talented cast, made up of Joniece Abbott-Pratt, Lamarr Gulley, JD Jackson, Adam Lazarre-White, Imani Jade Powers, and Janina Edwards, rise to the challenge of fleshing out the pain and beauty at the heart of this novel. Each narrator unflinchingly describes harsh conditions, separations of parents from children, and casual brutalities. Lazarre-White, Jackson, and Gulley provide rich baritones laced with soft Southern accents for the male characters. Abott-Pratt, Powers, and Edwards portray the strong, suffering women. Listeners will want to keep in mind the mature nature of this content and where they play these chapters.
Pub Date: Jan. 11, 2022
Duration: 8 hrs, 15 mins
DD ISBN: 9781797137759
Publisher: Simon & Schuster Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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