In 1628, a Dutch ship bound for Batavia (now Indonesia) sank off the coast of Australia. This audiobook is the fictional accounts of a 9-year-old Dutch girl who perished on the adjacent lonely island and a 9-year-old misfit Australian boy three hundred years later. In a gentle, innocent tone, Fleur De Wit narrates the story of Mayken, a privileged girl of aristocratic lineage and boundless curiosity. As Mayken befriends sailors and dreams of pirate adventures, De Wit adds verbal touches of character. Alternating chapters narrated by Adam Fitzgerald describe the struggles of Gil, whose drug-addicted mother's death results in his being raised by his grandfather, a gruff fisherman who lives on the remote island in 1989. In an Australian accent, Fitzgerald describes Gil's discovery of artifacts from the seventeenth-century wreck.
Pub Date: Oct. 4, 2022
Duration: 10 hrs, 15 mins
DD ISBN: 9781797140483
Publisher: Simon & Schuster Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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