Jacqueline Milne's supple, suggestive voice sets a gothic mood as she delivers this dark exploration of the weird in Victorian London. Bridie Divine works for the police as an unofficial medical examiner. When Christabel Berwick goes missing, her father insists that his daughter, no ordinary child, must be found. Bridie reluctantly accepts the case, even though she is currently being haunted by Ruby Dolan, a genial ghost. Milne treats listeners to chilling descriptions of the muck and slime of the London streets and raises goosebumps as she recounts Christabel's freakish abilities. She also excels at detailing the depth of evil found within the human villains--listeners won't soon forget the nightmarish Mrs. Bibby. This strangely compelling audiobook is a must-listen.
Pub Date: Feb. 4, 2020
Duration: 11 hrs, 30 mins
DD ISBN: 9781508299479
Publisher: Simon & Schuster Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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