Tanis Parenteau leaps right into narrating this chilling debut horror novel. Mackenzie wakes from a vivid nightmare with a crow's head clutched in her hand. It's the latest in a series of all-too-real dreams. Parenteau conveys all of Mackenzie's anxiety, quickening her pace as the nightmares turn more sinister--and she's stalked by crows. She lives a solitary life far from her Cree family's home in northern Alberta and hasn't returned since her grandmother died, not even for her sister's funeral. When she finally travels home, Mackenzie feels isolated, but each loving relative comes alive through Parenteau's textured voice, rich characterizations, and skill with the Cree language. The suspense mounts as Mackenzie and her family share secrets, racing to discover the deadly source of the nightmares.
Pub Date: Jan. 10, 2023
Duration: 8 hrs, 15 mins
DD ISBN: 9780593628140
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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