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THE LOST LETTER

Allyson Ryan and George Newbern alternate narrating this story, set in Nazi-occupied Austria and in California 50 years later. In 1989, Katie discovers an unsent, unopened Nazi-era letter from Austria in her elderly father's stamp collection, setting her on quest to find the recipient. In 1938, Kristoff, an apprentice to a Jewish stamp engraver, falls in love with his boss's daughter, who is involved with the Nazi resistance. Listeners will forgive the unevenly accented dialogue and inconsistent portrayals as they become invested in Ryan's and Newbern's animated performances, which stress the emotional impact of the two storylines, the mystery of the letter, and the surprising connection between Katie and Kristoff. Betsy Stuxness and Jennifer Rubins read two small sections from the viewpoints of Austrian sisters.

Pub Date: June 13, 2017

Duration: 9 hrs

DD ISBN: 9781524776947

Publisher: Penguin Audio

Review Posted Online: Jan. 22, 2026

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    WONDER BOYS

    American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.

    Pub Date: N/A

    Duration: N/A

    Publisher: Brilliance Audio

    Review Posted Online: Jan. 22, 2026

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      QUEEN LUCIA

      Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.

      Pub Date: N/A

      Duration: 9 hrs

      Publisher: ISIS Audio Books

      Review Posted Online: Jan. 22, 2026

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