Billie Fulford-Brown and Laura Benanti narrate alternating chapters in this dual-timeline novel about two playwrights: one history's most famous writer, the other a contemporary unknown. In 1581, Emilia Bassano is the actual author of the great plays now attributed to the Stratford glove-maker's son, William Shakespeare. In the present, Melina Green is a playwright who is having difficulty getting her work produced. The frustrated Melina is portrayed by Benanti in a strident voice that reflects her anger. Benanti's performance contrasts with Fulford-Brown's soft-spoken, melodic portrayal of Emilia. Rehearsal skits echoing Emilia's life, performed by talented voice actors, are interspersed between the two timelines. In this production listeners are treated to a contemporary play and multiple selections from Shakespeare's plays and poems.
Pub Date: Oct. 8, 2024
Duration: 18 hrs, 30 mins
DD ISBN: 9780593948255
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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