Loss haunts this powerful story of politics, corruption, and loyalty. Narrator Shaun Taylor-Corbett continues his fine work with Indigenous authors. He performs this debut novel with just the right tone, style, and tempo. He voices the angsty Mitch Caddo with a sure sense of his conflicted life as a “fixer” for the fictional Passage Rouge Nation. An outsider with an Ivy League law degree, Caddo works with his childhood friend, now tribal president, Mack Beck. The plot revolves around the days just before a tribal election when issues arise involving tribal membership and past suspect business dealings. Matters overheat, and violence occurs. Taylor-Corbett delivers the dialogue with restraint and intelligence and is masterful in bringing this compelling novel to life.
Pub Date: April 8, 2025
Duration: 10 hrs
DD ISBN: 9781797184616
Publisher: Simon & Schuster Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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