This subtle and deeply rewarding audiobook poses a devilish problem for the narrator. You probably have to see the text on the page to realize how beautifully narrator Jack Hawkins serves the author's intentions. Trying to learn the truth behind the death of a young mixed-race Swedish man, a journalist is interviewing his roommate, ex-lover, friends, relatives. Was it suicide or accident? Khemiri's story is told by shifting voices with very different levels of reliability, culpability, and understanding, and there is nothing on the page to tell you who is speaking. Hawkins must distinguish the characters' voices just enough that you can learn to recognize them but not before the reader of the print version would. It's a brilliant construction, original and moving, and a challenging, riveting listen.
Pub Date: Aug. 2, 2016
Duration: 7 hrs, 15 mins
DD ISBN: 9781508222521
Publisher: Simon & Schuster Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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