When overwhelming ennui causes Ben Armistead to cross the line from discontented suburban husband to prisoner in a jail cell, his wife, Helen, is forced to make several desperate moves. She divorces Ben, goes job hunting, finds work with a struggling public relations firm, and moves to New York City with Sara, their adopted daughter. Narrator Mark Deakins shows Helen as a brilliant manager, thriving in the PR field as the “Queen of Public Apologies.” Deakins is comfortable in teenaged Sara’s skin, truthfully expressing her rebellion and her continual dismay at stupid adult behaviors. His best incarnation highlights Ben’s self-pity, remorse, and growing self-awareness. With understated finesse, Deakins delivers Jonathan Dee’s superbly written exploration of the inner workings of a contemporary family in crisis.
Pub Date: March 12, 2013
Duration: 8 hrs, 30 mins
DD ISBN: 9780385393744
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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