Katie Leung narrates this time-travel novel from the point of view of the unnamed protagonist, who works as a "bridge" at the British government's Ministry of Time. They have technology that allows them to pluck people out of time and are studying whether these "expats" can survive with no ill effects. The bridge is helping her expat, 1800s polar explorer Graham Gore, adapt to the future; they live together and inevitably grow closer. Leung's Graham is especially appealing, as is her performance of Margaret, an expat from the seventeenth century whose accent is described as unplaceable and who takes to modern times surprisingly well. George Weightman sounds like he was plucked right out of the era himself as he narrates interspersed sections that detail Graham's doomed polar expedition.
Pub Date: May 7, 2024
Duration: 10 hrs, 30 mins
DD ISBN: 9781797176888
Publisher: Simon & Schuster Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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