Simply put, this audiobook is extraordinary. Narrator Karen Chilton portrays Autumn Spencer, whose twin sister, Summer, has disappeared from the roof of their building without a trace. As Autumn attempts to find out what happened, she becomes obsessed with the way that society treats Black women—as if they are invisible and the violence perpetrated against them doesn’t matter. As her mental health deteriorates, Autumn reevaluates her trauma. Chilton provides an outstanding narration. Her pace and tone match Autumn's emotional experiences—her bewilderment and anger at the lack of results in the search for her sister, her frustration and fear about what happens to many women just like her, and her uncertainty over what comes next. Topical, timely, and beautifully written—this is a must-listen.
Pub Date: Jan. 22, 2019
Duration: 10 hrs
DD ISBN: 9781980043386
Publisher: Recorded Books Inc.
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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