The ordinary humanity in these characters--before, during, and after tragedy besets them--is the strength of this audiobook, and of Neil Shah's narration. A bomb goes off in a Indian market square, killing two Hindu boys. It leaves their parents and their young Muslim friend who survived the attack to wonder why fate chose them. The bomber, whose story we also hear, is a Kashmiri separatist, and the country's long politics forms the story's backdrop. But Mahajan's themes expand well beyond those borders. Shah eschews the melodramatic, instead leaving the room needed to hear the wailing of mothers, the confusion of fathers, and the disenfranchisement of youth. In "keeping it real," Shah ensures that listeners connect with Mahajan's story.
Pub Date: March 22, 2016
Duration: 9 hrs, 15 mins
DD ISBN: 9781504685214
Publisher: Blackstone Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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