Fenella Woolgar's masterful narration transforms Juliet Armstrong into a friend who is confiding a lifetime of secrets. This WWII novel revolves around the time Juliet spent transcribing recorded conversations of British fascist sympathizers--they believed they were reporting to the Gestapo but were in fact sharing their secrets with an MI5 officer. Woolgar's interpretations of Juliet's wry asides and commentary, peppered throughout the text, are hilarious, and she convincingly portrays a broad cast of characters, from plucky Cockney-accented errand boys to elderly women conspiratorially sharing their shocking views. Woolgar's melodious voice and dry wit carry listeners through the decades as Juliet's secrets race to catch up with her.
Pub Date: Oct. 9, 2018
Duration: 11 hrs
DD ISBN: 9781549141942
Publisher: Hachette Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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