From this audiobook’s opening line, Joniece Abbott-Pratt’s narration creates an immersive listening experience. She perfectly embodies the first-person perspective of Kiara, a high school dropout who is living with her older brother, Marcus, in a shabby apartment in East Oakland, California. Their father is dead, and their mother is gone, leaving them with only each other. Marcus refuses to get a job while he’s pursuing a career in music, and Abbott-Pratt’s performance perfectly captures Kiara’s anguished decision to become a sex worker to survive. With no job skills, what else can she do? With Abbott-Pratt’s empathetic understanding of the characters, especially in the dialogue she performs, she creates one of the most moving and emotionally intimate audiobooks of the year.
Pub Date: 2022
Duration: 10 hrs, 45 mins
DD ISBN: 9780593590041
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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