In May 1959, the rolling green hills of majestic St. Brigid's Island, a remote Irish settlement, belie the dark magic of changelings and fairies--who are more than mythic lore here. Narrator Caroline Lennon's voice instills a dreamlike quality into her portrayals of sisters Rose and Emer, and their introduction to newcomer Brigid, an American. The three women grow to know each other--and observe how the island, with its primitive way of life, changes its inhabitants. In the process, a complicated and lurid history is told. Lennon shifts with ease between the lyrical cadences of the locals and Brigid's more languid American accent. Her perfect delivery of vocabulary that is specific to the west coast of Ireland complements the story.
Pub Date: Feb. 7, 2017
Duration: 12 hrs, 45 mins
DD ISBN: 9780062669759
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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