by Lori Ostlund ; Read by Sean Runnette ‧ RELEASE DATE: Sept. 22, 2015
Sean Runnette empathetically narrates this debut novel about Aaron Englund, a sympathetic gay man who has been with his older partner, Walter, for many years. Aaron has always felt isolated and different from everyone else, and his story demonstrates how relationships and personalities are shaped by the various events in people's daily lives. After Aaron leaves New Mexico, and Walter, for San Francisco, flashbacks describe Aaron's childhood, especially his relationship with his mother after his father died in a freak accident. Slow and sad, the story unfolds at its own pace, and Runnette reads in a fluid cadence with steady pacing that pushes it forward. He only slightly differentiates characters in the rare dialogue. The small moments revealed in Aaron's life enable listeners to make sense of who he is and what's happened to him. Listeners will easily follow the detailed plot with its surprising humor and compelling minor characters, all aided by Runnette's thoughtful presentation.
Pub Date: Sept. 22, 2015
Duration: 12 hrs
DD ISBN: 9781622318865
Publisher: HighBridge Audio
Review Posted Online: Jan. 22, 2026
by Michael Chabon ; Read by David Colacci ‧ RELEASE DATE: N/A
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
by E.F. Benson ; Read by Geraldine McEwen ‧ RELEASE DATE: N/A
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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