Author Madeline Miller and narrator Perdita Weeks transform the ancient Greek drama of Circe, witch of Aiaia and daughter of Helios, into a fresh and vibrant tale for contemporary listeners. Long depicted as a villainous foil for male heroics, the witch is redeemed and enriched by Miller’s nuanced writing. Weeks’s cool British intonations and attuned performance capture Circe’s evolution from youthful uncertainty amid scorn from richly characterized fellow deities to a confidence earned from centuries of island exile. Her first-person perspective creates intimacy as she engages fabled figures, such as Odysseus and Athena, and grapples with the pleasures and dangers of everyday life. An accompanying PDF identifies the countless gods and goddesses, titans, monsters, and mortals who appear throughout Circe’s immortal life.
Pub Date: April 10, 2018
Duration: 12 hrs
DD ISBN: 9781478975311
Publisher: Hachette Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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