A coming-of-age story turned brutal murder mystery morphs into a queer love story of legal injustice. Hope Newhouse's gripping narration builds the mystery and listeners' emotions equally, balancing the complex themes with dark humor. Thirteen-year-old Lacey Bond is living in rural New Hampshire during the '90s Satanic Panic, a time of mass hysteria attributable to children being manipulated into revealing false memories. Lacey's eccentric parents face hostility when the town accuses them of obscene abuse at their day care. In the 15 years that ensue, Lacey hides behind a normal life in Canada, believing the world has forgotten her. Newhouse narrates Lacey's stream of consciousness with finely crafted vulnerability, capturing the pain, perseverance, and hope of the main character's memorable life.
Pub Date: March 19, 2024
Duration: 12 hrs, 45 mins
DD ISBN: 9780063286887
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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