Rebecca Soler's superb narration makes this collection of horror stories irresistible. She skillfully commands accents and tone with such finesse that it seems like there are multiple narrators. These socially conscious stories are unconventionally macabre--at times achingly, gruesomely, yet utterly fascinating. Set in modern-day Argentina, these eclectic works feature zombie babies, cannibalistic rock fans, a cursed town, distressed ghosts, and a woman who is obsessed with the sound of heartbeats. The characters in these tales are in agitated situations with outcomes that will enthrall listeners. Soler successfully pivots her narration to match the style of each story. Listeners will be enraptured yet horrified and unable to stop listening to these stories, which are not for the faint of heart.
Pub Date: Jan. 12, 2021
Duration: 5 hrs, 45 mins
DD ISBN: 9780593286777
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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