Hope Newhouse's sensitive performance of Maud Casey's phantasmagorical novel lingers long in the listener's imagination. Blending fact with fiction, the author explores the nineteenth-century phenomenon of women hospitalized with hysteria. Diagnosed by male doctors, the women had symptoms that included everything from anxiety, fainting, and irritability to insomnia, sexual desire, and loss of desire. With fictional portraits and actual case notes from Paris's Salpêtrière Hospital, Newhouse has created a haunting study of mysterious occurrences, individual agency, and power dynamics. Newhouse's light, precise voice and welcoming tone immediately engage listeners in the women's personal accounts, both straightforward and kaleidoscopic. Her impeccable French further increases the verisimilitude as listeners wander among these remarkably resilient women, their ghosts, and their stigmata.
Pub Date: Jan. 22, 2022
Duration: 3 hrs
Publisher: Vibrance Press
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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