As Mona Awad returns to the dark academia of her cult classic, BUNNY, Sophie Amoss artfully handles the challenging narration. The plot unfolds mostly through monologue and dialogue. Amoss gives specific tones and styles to "the Bunnies," the quartet of entitled MFA students who are holding fellow former grad student Samantha captive because of the way she portrayed them in her first published novel. From chirpy to authoritarian, Amoss captures the quirky, sociopathic Bunnies. Amoss also performs the slightly British accent of Aerius, the bunny-into-man creation of their hive mind whose self-narrated story provides parts of the plot. By turns charming and vulnerable, menacing and irrational, Aerius is kept in the attic by the Bunnies. This literary horror novel is fun and funny.
Pub Date: Sept. 23, 2025
Duration: 20 hrs, 15 mins
DD ISBN: 9781797195131
Publisher: Simon & Schuster Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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