This audiobook's excellence makes its nearly 19-hour time span fly by. Ari Fliakos is superb in this complex yet supremely accessible performance. He lends his skill to the depiction of Jack and Elizabeth's relationship and all its backstories and subplots. No nuance of this novel escapes Fliakos: satirical social commentary, tender love story, hilarious missteps of modern life, heartbreaking loss . . . The full kaleidoscope of the human experience simply sings when rendered by his voice. As the plot leaps across time periods and back, Fliakos's confident pace keeps everything steady. Lively dialogue among the characters is rendered with just the right amount of wit and personality. Hill's often profound words and Fliakos's expert performance combine to make this an outstanding listening experience.
Pub Date: Sept. 19, 2023
Duration: 19 hrs
DD ISBN: 9780593788165
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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