A sensitive narration by Corrie James immerses listeners in the tormented life and ultimate suicide of writer Virginia Woolf. Vincent's richly imagined chronicle weaves a complicated filigree of Woolf's interior monologues and conversations with the people pivotal to her life and her writing process. Virginia was named for her dead sibling, Adeline, but chose never to use the name. However, Adeline's ghostly presence haunts Virginia from childhood through her later life, having profound effects on her relationship with her sister Vanessa, her marriage to Leonard Woolf, and her friendships with T.S. Eliot and Lytton Strachey. James clearly portrays Woolf's intellectual passion, existential ennui, and emotional turmoil in Vincent's grim portrait of a brilliant, deeply troubled writer.
Pub Date: April 7, 2015
Duration: 9 hrs, 45 mins
Publisher: Tantor Media
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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