Ntozake Shange's posthumous unpublished collection of plays, poems, and essays is brought to life by a stellar ensemble of narrators. It begins with Tarana Burke's personal foreword on meeting Shange and leads into Imani Perry's soft-spoken narration. Her even tone encourages reflection by anyone who connects with Shange's work, which has impacted Black women for decades. Each section is introduced. The women's voices come in and out like one long, fluid performance poem. Many listeners will recognize the voices of actors Alfre Woodard, Lynn Whitfield, and Regina Taylor. Given the array of literary genres, all the voices, including that of the poet's daughter, Savannah Shange, are varied and distinct. That strength is most noticeable in the two plays included in this magnanimous work of art.
Pub Date: Sept. 12, 2023
Duration: 9 hrs
DD ISBN: 9781668632277
Publisher: Hachette Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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