This extraordinary collaboration between the Booker Prize-winning novelist Pat Barker and superb narrators Kristin Atherton and Michael Fox reimagines the passionate, bloody, mythic Trojan War of Homer's ILIAD. Once begun, you will want to abandon everything to spend time with Fox's "Great" Achilles (aka The Butcher) and Atherton's Briseis, a Trojan queen become his bed-slave. Barker's vivid rendering summons fabled names and nobodies to the mighty and petty human drama of Troy's siege. Atherton, who carries most of the narrative, offers imaginative, vivid characterizations and narrates in a fervent, crisp, fierce voice as Briseis balances the demands of men and gods with the needs and terrors of captured women. Fox's chapters in Achilles's educated, vehement voice are a perfect counterpoint. This is a must-listen.
Pub Date: Sept. 4, 2018
Duration: 10 hrs, 45 mins
DD ISBN: 9780525643265
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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