Nobel Prize for Literature winner Modiano's recently translated work is a demanding novella. Narrator Bronson Pinchot's soft, clear voice and measured pacing allow the listener time to absorb the twists of plot and time that are major elements in this story of self-discovery. On the surface, the book focuses on reclusive French author Jean Darange and how the return of his lost address book triggers lost memories of his youth, including knowledge of a murder. But Modiano is renowned for the depth and complexity of his themes, plots, and characters, and this offering does not disappoint. Pinchot's deftness with accents and subtle modifications of tone highlights his portrayals of Modiano's multilayered characters. Listeners who enjoy a challenge will find this unique offering enjoyable.
Pub Date: Aug. 29, 2016
Duration: 3 hrs, 30 mins
DD ISBN: 9781504731270
Publisher: Blackstone Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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