Colin McPhillamy, as Willie Bachhuber, and Saskia Maarleveld, as Irene Bobs, narrate the story of the 1954 Reddix, a 10,000-mile endurance test that circumnavigates the vast Australian continent. McPhillamy gives Willie a believable voice as he slowly comes to the realization that his German ancestry is a lie. Maarleveld, as Irene, begins pertly but becomes more forceful as she faces her own challenges while fighting to be recognized as a competent woman in a man's world. The Reddix, which begins as a publicity stunt and a lark, becomes a tool for opening the eyes of white Australia to the ignored world of the Aboriginal population. Craig Baldwin, as Willie's son, closes the circle as he comes to terms with his father and history. A fascinating journey to awareness.
Pub Date: Feb. 4, 2018
Duration: 11 hrs
DD ISBN: 9781501968235
Publisher: Recorded Books Inc.
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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