Narrator Isabel Keating demonstrates her ability to differentiate characters in this quirky story of a 1989 high school field hockey team. In Danvers, Massachusetts--formerly Salem Village--the perennially losing team finds a book describing the infamous trials. Players begin recording a book of their "sinful" acts, which they name "Emilio." Their luck changes, and they start winning while causing havoc around town as the book "Emilio" grows. As the season progresses and listeners hear from all the girls, Keating deftly changes her accent and pitch to signal who is speaking. At times, Keating's pace is plodding, contrasting with the light and witty writing. Still, this is a great audiobook, which doesn't seem preachy while giving an honest view of the past.
Pub Date: March 3, 2020
Duration: 14 hrs, 45 mins
DD ISBN: 9780593170311
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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