by Rebecca Roanhorse ; Read by Tanis Parenteau ‧ RELEASE DATE: Jan. 22, 2019
Awards & Accolades
Our Verdict
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Tanis Parenteau's spellbinding narration evokes the rugged authenticity of the postapocalyptic Navajo homeland of Dinétah. Her confident voice with its touch of snark deftly embodies the gritty charm of Diné bounty hunter Maggie Hoskie, who's trying really hard not to kill anyone. Parenteau's flawless narration builds with the story's dramatic tension as the White Locus rises from Navajo legend to destroy everything Maggie loves. Shifting chameleon-like between characters, Parenteau's easy use of pitch, intonation, and tempo makes Maggie, Rissa, Ben, and the gods themselves feel like fully formed characters with the occasional touch of wry humor. Parenteau's affection for Maggie and her team shines through, lightening the mood throughout a pulse-pounding tale that captures the imagination and redefines girl power for the postapocalyptic age.
Pub Date: 2019
Duration: 9 hrs
Publisher: Audible, Inc.
Review Posted Online: Jan. 22, 2026
by Orson Scott Card ; Read by Orson Scott Card ‧ RELEASE DATE: N/A
Multipleawardwinner Card is one of the greatest practitioners of science fiction; here he delivers a history fantasy of the Wabash Valley circa 1800, a world of hexes and folk magic. This is the first book about Alvin Maker, the seventh son of a seventh son, who has remarkable psychic powers. Card is a very good narrator, expressive and wellpaced. One can hear the excitement of an author as he brings his own welldescribed characters to life. There is one momentary technical glitch, the only slipup in an exemplary presentation. Highly recommended for fiction collections everywhere.
Pub Date:
Duration: 7 hrs
Publisher: The Literate Ear
Review Posted Online: Jan. 22, 2026
by Isaac Asimov ; Read by Dan Lazar ‧ RELEASE DATE: N/A
Asimov's sweeping tale of the disintegration and fall of the Galactic Empire has never been more relevant or poignant. In the third book of the original trilogy, Dan Lazar handles the material adequately. He uses his limited range of voices nicely, if sometimes amusingly--he sometimes sounds like a foreigner attempting to mimic American accents. Varying pitch and pacing make for a lively narration, and his reading of a precocious young woman, who is ultimately an important figure, is delightful. Technical and editorial problems plague the title. Hearing Lazar repeatedly mispronounce a word that the text itself explains how to pronounce is very frustrating. Intermittent fade-outs on one channel; inconsistencies when switching sides; and low, rumbling background noise mar the sound quality.
Pub Date:
Duration: 8 hrs
Publisher: Books on Tape
Review Posted Online: Jan. 22, 2026
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