"The fate of continents is written in water," this audiobook professes, and the vital role of the ocean is at the heart of this expansive listening experience. Here, especially at the start, it is wise to let the narrators' words flow forth, immersing the listener in four central characters and the minute details that comprise their respective worlds. Sections lack titles or labels, so the distinct voice of each narrator is key to distinguishing which story is which. Initially, the listening experience is intimidating, but once each voice is established, and whose part of the tale is clear, the plot clarifies, too. All six narrators' performances are equally deft; in fact, there is a consistency in pace and tone that makes this complex story accessible.
Pub Date: Sept. 24, 2024
Duration: 13 hrs, 45 mins
DD ISBN: 9798882333125
Publisher: Spotify Audiobooks
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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