Narrator Eric Michael Summerer portrays all-American scamps Huckleberry Finn and Tom Sawyer as they head out west in search of fortune and adventure. This sequel to THE ADVENTURES OF TOM SAWYER and ADVENTURES OF HUCKLEBERRY FINN, by Mark Twain, sounds tonally and attitudinally authentic. Summerer handles the portrayals of the characters, including their accents, with empathy and a pleasing casual attitude. Summerer lets Huck's sympathetic and gently comical voice shine even when Huck feels pain and loneliness when Tom returns to the East to read for the law and be with his new wife. Summerer enthusiastically delivers the many twists and turns in Huck's new adventures, delighting fans of Twain's famous character.
Pub Date: Jan. 10, 2017
Duration: 9 hrs, 30 mins
DD ISBN: 9781681683829
Publisher: HighBridge Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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