Narrator Lee Osorio interweaves stories from different eras and countries in this science fiction audiobook. In 2018, Salvadoran American student Ana uses a device to view glimpses of alternate universes. She's also exploring her mysterious family history and her conflicting desires for her future. In the 1970s, revolutionaries Rafael and Neto, who is the uncle of Ana's boyfriend, Luis, fight for their love and their political beliefs in El Salvador. Osorio's subtle differences in delivery help listeners keep track of the varied settings and the cast of characters--though his lower pitch for the 1970s is more pleasing to the ear than the slightly higher register of the 2010s. Listeners may wish for more time with Rafael and Neto's bold love for each other and their revolutionary dream, even as they face steep challenges.
Pub Date: July 1, 2025
Duration: 7 hrs, 45 mins
DD ISBN: 9780063336339
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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